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Review of SHE Valentine's Show at The Viper Room

Some Hear Explosions Valentine show - Band photo 1

"With their oozing sex appeal and eye-popping stage presence, if there was any band meant to play on Valentine's Day it's Some Hear Explosions. And if you've seen Some Hear Explosions live, then you'll understand me when I say you'll never see the same show twice. Known for their high energy shows and visual and often times theatrical performances, S.H.E. tailors each show to fit the occasion. It was a Halloween show when lead singer Ambre Leigh was possessed by a demon as bandmates performed an exorcism on stage. Monday night's pre-Valentine's show was set to a Romeo & Juliet theme, ending tragically with poison and gunfire. But through all the theatrics, not lost was their alt-rock explosiveness that S.H.E. is famous for as they performed songs from their debut album It's Our Time Now".

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Read more and see more photos at - click here... Review of The Exorcism of Ambre Leigh Live at The Viper Room

It's Halloween EVERY DAY on the Sunset Strip but last Friday saw a bit more ghosts, witches and zombies lurking around - more so than usual. But if you thought the Viper Room was a safe haven from all the ghouls outside, you were wrong. Some Hear Explosions provided the evening's scariest set with Bay Dariz, Alex Gallner and Joe Herrera dressed as priests and lead singer Ambre Leigh playing the demon-bride in need of a little TLC.

Who would've known that an exorcism could be this fun or this sexy? Some Hear Explosions' Halloween themed show at The Viper Room could've easily been the musical version of The Exorcist - a battle between good and evil, complete with punk-rock priests, projectile vomit and an evil-possessed Ambre Leigh. Top that off with a soaring soundtrack that will exorcise the demons to come out to dance and sing and you've got yourself a nice Exorcist-rock-opera that is sure to make your head spin.

As usual, Some Hear Explosions put on a great show. It's hard to take your eyes off Ambre Leigh, even with a blood-soiled nightgown and creepy, devilish eyes. But in the end, the power of that holy music, known as their debut album, It's Our Time Now, won out and released Ambre Leigh from the chains of darkness, emerging reborn as the sonic angel we've grown to love.

Read more and see more photos at - click here... review of Viper Room show 8.22.11


I was fortunate to catch Some Hear Explosions at The Viper room. Before the curtains rose at the Viper Room to reveal Some Hear Explosions, you could already sense the brewing excitement in the packed venue with Sunset Strip rocker royalty Barb Wire Dolls and The Shakers' Jodie Schell in attendance. It's been a little bit over a year now since SHE released their debut album "It's Our Time Now." Now, primed to release their sophomore effort, they return to The Viper Room to try out new songs and a new look. And literally taking their show a step further, their new look was a visual entrancing stage show, complete with light boxes that lit up to the touch that was wrapped around volcanic riffs and shout-along choruses. And with an added 20-foot catwalk, it was enticing enough to unleash lead singer Ambre Leigh from the confines of the Viper stage to prowl freely, nearly kicking Vivace blogger's camera, while lashing out her booming vocals on crowd favorites such as "It's Our Time Now" and "Give/Take." Always the party atmosphere at SHE shows, Mulhollands guitarists even joined the fun onstage, playing guitar on a couple songs.

Read more and see more photos at - click here... - Some Hear Explosions comes home for quick acoustic show

By Andy Tarnoff

Published April 8, 2011 at 3:36 p.m.

I had lunch today with my old friend, Bay Dariz, who is the guitarist of the talented L.A. Band, Some Hear Explosions. Bay and his bandmate Amber Leigh are both from Milwaukee, and will play an acoustic show Sunday at Club Anything.

It's always great to catch up with a "local guy done good," and I do my best to check the band out whenever they're in town.

You should, too.

The last time I heard these guys was at Summerfest last year, and I can vouch for how good they sound. Hearing them play "unplugged" should be a nice treat.

The show kicks off at 7 p.m. and also features an acoustic set from Anna Bohn and Adam Didier of OncetheSun and The Light Asylum, and Mark Allen of My Mourning Belle. Tickets are $5 at the door.

Hope to see you there!

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Some Hear Explosions interview - Denver Music |

Some Hear Explosions is the collaborative effort of ex- The Mercy Kiss guitarist/vocalist Bay Dariz and singer Ambre Leigh along with the combined rhythm section of Alex Gallner on bass and Joe Herrera on drums. Since the band formed, they have received an influx of positive reviews and great opportunities- they played Milwaukee's Summerfest in 2009 and were featured (thanks to fan votes) on the festival's compilation CD, they've licensed some music for the films Lake Effect and Pound of Flesh, and recently released an album, It's Our Time Now, to much praise. Despite the band's busy schedule, I caught up with Dariz who opened up to me about writing music, playing in Denver, and rocking out to "Lady In Red".

What do you think about Denver? How do the fans treat you?

Denver was one of our favorite shows on the tour! We played with a great local opener named Calling Out West and we had a very fun, energetic crowd. We hung out downtown for many hours after the show with some friends we met in town and had an amazing time. Denver seems to have a really interesting music scene and I wouldn’t be surprised if some really great bands start exploding onto the national scene out of Denver.

Briefly explain the songwriting process to me.

Typically, I demo a bunch of song ideas and if Ambre responds to them, she starts writing lyrics. Then we track a more complete demo together and take it to rehearsal where Alex and Joe – our bassist and drummer – breathe real life into them. Often what inspires me to write the music and Ambre to write the lyrics are two totally different things. In the next record I’m hoping to get together with Ambre and plan more of a thematic arch ahead of time, but you can’t really plan too much when it comes to rock n roll.

What's the weirdest thing to inspire a song?

When someone hears our music, I want it to stir something within them, be it happiness, excitement, romance, or something decidedly more carnal. When I wrote the music for “Give / Take” I specifically wanted to write something that would sound great if you heard it in a strip club. That’s weird for me because I really don’t enjoy going to strip clubs.

If your music was the soundtrack to a movie, which one would it be?

We actually have songs in a few upcoming independent feature films (The Lake Effect and Pound of Flesh) so based on that I’d say it would be an indie drama with a definite dark side. I know I’d love for it to be a Darren Aronofsky film, and Ambre would probably veer more toward David Lynch.

What has been the defining moment of your career thus far?

Our defining moment so far was definitely our national tour in the fall of 2010. We had just released our debut album and just added our new bassist, and over the course of the 10,000+ miles we traveled we became the band we are today. We’d been working hard for two years and to finally be able to share our music with crowds all across the country was truly inspiring.

You’re at a karaoke bar and forced to sing one song- what's your go-to tune?

Actually, back in LA we hang out a karaoke bar all the time. No matter what song I sign up for, they always make me sing my number one jam “Lady in Red” by Chris De Burgh and everyone in the bar slow dances to it. To be fair, I really do love singing it, although I can’t remember why I chose to sing it in the first place.

If you were going to cover any album, by any band, from start to finish, which one would it be?

I’m sure we would all pick different albums and never be able to agree on one, but we often sing Jimmy Eat World together to warm up our voices before shows. I think we could do their Bleed American album some justice.

If you could have anyone in the world be your #1 fan, who would it be?

David Bowie. Thankfully, he’s still alive and well so there’s still some time to properly impress.

Read the full article on - click here article on band merch featuring Bay Dariz

Recently, 3OH!3’s Nathaniel Motte penned a thoughtful, lengthy blog on his band’s website decrying the practice of “price matching.” The blog was spawned from a specific instance at a holiday radio show in Sacramento, California, where 3OH!3 were required to price their shirts at a equivalent cost to the headliner’s merch—an amount Motte and bandmate Sean Foreman deemed too expensive for their fans. The incident, which Motte describes in detail in his post, is indicative of a larger issue, one that affects bands and music fans across the board. Motte’s post raises a slew of intriguing questions: What is price matching? Why is it done? Who does it benefit and who does it harm? And, most importantly, what is and what should be the purpose of selling merch?

In simple terms, price matching is a practice in which the headlining band on a tour set the merch prices. If that band sell their T-shirts for $40, every other band on the bill must comply with that price. DAVID GALEA of The Agency Group, who books Paramore, Dredg, Relient K and Four Year Strong, explains that price matching is just one element the headliner controls in the business of touring. “The headliner dictates everything from production to amount of merch items, to number of comps the support gets, to how long they play,” he says. “It is common practice for support acts to fall in line with what the headliner is dictating on any and all things—from clubs to arenas.”

3OH!3 manager MIKE KAMINSKY describes price matching as “a request from the headlining band asking the support bands not to undercut them in merch. It looks bad—and could affect sales—if one band is selling their merch for considerably less than another [band]. It’s essentially forcing a monopoly in the market for that show."

The ability of the headliner to determine all these aspects on a tour is a privilege that Galea believes must be earned, and that there should be a balance between respecting the band taking you on tour with them and standing up for your own fans once you’ve built a fanbase. “Simply put, that is the right of the headliner, and they have earned this right,” Galea says. “A first-of-four [act] on a show complaining about the practices of a headliner, frankly, is inappropriate. This isn’t utopia; from the biggest band to the smallest band, this still acts as a business, and any band who tells you different is probably lying to save face.”

For a smaller, up-and-coming band, each T-shirt and album sold at a show can mean gas and food for the next day. In that scenario, being forced to sell your shirts at a higher price can mean you don’t sell any, which in turn hurts your ability to travel to the next venue. BAY DARIZ, singer/guitarist for Los Angeles band SOME HEAR EXPLOSIONS, has found that sometimes there is little thought about the fact that merch sales directly allow small bands to literally continue touring. “The money from merch goes directly into our gas tank to get us to the next city,” he says. “It's extremely important we sell enough merch to keep going. Many times people want free shirts and CDs, and I don't think they realize how expensive touring is and how little money we really make. We don't travel with a crew, so we do all our own merch sales. We have to become salespeople as well as artists/performers, and that's a tightrope to walk sometimes.”


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Westwood One 2010 Artist look backs

2010 IN REVIEW artist look backs

Escape The Fate singer Craig Mabbitt:

I’ll always remember 2010 for:

Escape The Fate getting signed to Interscope Records

When I look back on 2010, the things that will stick out will be:

Releasing our self-titled album on November 2nd, moving to LA, buying a Dodge Challenger and the movie The Imaginarium of Dr. Parnassus.

My “rock star moment” of the year was:

I'd have to say it was our show on October 1st in NYC at Roseland Ballroom when I jumped off a balcony into the crowd.

  • Escape The Fate released their self-titled album earlier this year, featuring the single “Issues.”

Dredg guitarist Mark Engles

I’ll always remember 2010 for:

Finished our new record with Dan the Automator and toured with our friends Circa Survive.

When I look back on 2010, the things that will stick out will be:

Well I live in San Francisco and have been a Giants fan my whole life…World Champions.  And I personally went to Vietnam for the first time...incredible.

My “rock star moment” of the year was:

I can't think of one, because I'm not a rockstar or care about rockstars.

  • Dredg finished promoting their “The Pariah, The Parrot, The Delusion” album, and recently concluded work on a still untitled disc that’s expected in March.


Echogram singer Kilian Pettit

I’ll always remember 2010 for:

Finishing our debut album and becoming an uncle!

When I look back on 2010, the things that will stick out will be:

The Gulf of Mexico oil disaster, the death of Leslie Nielsen and Ricky Gervais
hosting The Golden Globes; I couldn't believe what they allowed him to say live
on air!

My “rock star moment” of the year was:

Playing Crazy Girls in Hollywood!!

  • Echogram arrived earlier this year with their single, “Walk In The Sun.”


Some Hear Explosions’ Bay Dariz

I’ll always remember 2010 for:

We went on our first national tour and got to see the whole country. We met so many amazing people along the way and the whole tour was truly unforgettable. We also shot a music video for our song “Beep” where we were running around the wilderness with a group of our best friends drinking beer and shooting water guns at each other. Priceless memories.

When I look back on 2010, the things that will stick out will be:

The series finale of Lost was certainly an event for me.  The show debuted right as I moved to LA and it really felt like the end of an era.  I’m not ashamed to admit it made me cry.  Twice.  Darren Aronofsky’s brilliant new film Black Swan is easily my favorite film of the year.  It’s beautiful and haunting and absolutely riveting.

My “rock star moment” of the year was:

We stayed in a suite on the top floor of this amazing hotel in New York called the Eventi. We had just wrapped up the first leg of our tour with Lights Over Parisand this was cause for much celebration. We drank almost everything in our mini-bar, went to a club where a girl was standing on the next table playing violin along with the DJ, and everyone in our group was giving each other simulated lap dances. Afterwards we took a cab all the way down to the East Village so I could get late night pizza at Ray’s on St. Mark’s, the best pizza joint in America.

  • Some Hear Explosions are promoting their latest effort, “It’s Our Time Now.”

The Sunset Strip pick of the week - SHE!

Some Hear Explosions!? One of The Sunset Strip’s best and brightest takes the stage at the Viper Room on Tuesday, Dec. 7 along with Hollywood Heartthrob, EchoGram and Shawn Chrystopher. School yourself on some great local up and comers. Doors open at 7:30 p.m. Tickets are $10.

Read the full article at - click here...

The End of the Page reviews "It's Our Time Now"

Rating: 9 out of 10

Los Angeles is a mecca for up-and-coming rock bands looking to make their name in the ever changing musical landscape. Many roam these streets from one dive bar to the next, coating the pavement with their sweat, pain and tears, paying dues the industry seemingly demands for any type of future recognition. Then the moment comes when their hooks floats into the ears of one random person, sending a jolt straight into their brain because they know it’s something special, something unique, and most importantly, something completely marketable. One phone call later the ball rolls and those lucky musicians are on their way, granting their early fan base the snooty (but amazingly fun) ability of saying, “I knew them before they were huge.” If you’ve never experienced the sheer joy of holding your musical knowledge above those of other mere mortals, follow along and I’ll give you that opportunity right now.

Some Hear Explosions is a goth/pop/rock fusion outfit that brings the flavor of David Bowie, the angst-y yells of Marylin Manson and the edge of early Garbage all in one extremely fashionable package. Catchy hooks ride on an electronic pulse, bouncing their way through the album, one moment making you crave seeing those fists pumping in the air, then the next moment taking it down a notch, displaying heart and thoughtfulness sometimes lost in modern-day radio play.

Making up the band are Bay Dariz, Ambre Leigh and Joe Herrera. Dariz and Leigh wrote much of the music together and their collaboration has definitely borne tasty fruit for music lovers everywhere. Dariz is all over the instrumental map playing guitar, bass, keys and programming, on top of lending his vocals, which bears a creepy and high-quality resemblance to Marylin Manson (just a touch happier). Leigh takes control of the mic as lead vocalist. Her sound brings images in my head of beautiful femme fatales from the film noir days of the twenties, gangster ladies stepping out of darkened cars wearing black suits and black hats, controlling everyone around them with a simple word from their lips. Herrera keeps it all on track on the drums, knowing internally when to pound down and bring the pain and when to gently tap the skins and bring things back from the rocker’s edge.

Getting down to the track level, there are a number of songs that deserve mention, but the one that I played on repeat when I first got the album was Beep. Insanely catchy, Beep stands out to me as an instant single that should climb almost any radio chart lucky enough to have it listed. It has the hook, the chorus and the rhythmic movement that all make for a great track. Hell A on the other hand delivers solid rock power and a lyrical kick making it not only a stand out on the album, but one to certainly look forward to during live gigs. It could also very well become a mantra for those who have the grand fortune (or misfortune) to actually call this infamous town home.

On the softer side, we have become ever-so-used-to the idea that all rock bands must provide a ballad on their album, something to sweeten those delicate ears who would normally avoid anything on the stereo missing the word “lite”. Those perfunctory tracks, padded in aural downy softness, can often come off as forced and almost trite, but this time we are lucky listeners indeed. Amazing is delicate, relaxed, honest and memorable, making it everything that people love when they’re sitting in their car, stuck in their cubicle or just having that glass of wine in their living room. It instantly makes you think of that person, that time in your life and connects those frayed moments back together, if only for a short period of time. Other notable tracks filling out the album are the marching beat of All Your Gravity, the dark corner romance of Baby Won’t You (kiss my lips) and the slithering sonic smackdown of the album’s moniker, It’s Our Time Now.

If you like what you hear from their site or on iTunes, check their schedule because they just might be swinging through your town soon. Take the opportunity while you have it because next time the tickets won’t be so easy to come by.

The End of the Page Recommendation: From top to bottom, It’s Our Time Now by Some Hear Explosions is a wicked debut album from a band destined and determined to make it.

Read the full article at - click here... "It's Our Time Now" Album Review

The debut album from rock/goth band Some Hear Explosions is comprised of a lot of different influences that are wrapped together in a nice little first time effort from the foursome of Bay Dariz (guitars/vocals), Ambre Leigh (vocals), Alex Gallner (bass) and Joe Herrera (drums).

What’s even more impressive is how the band got together. When Dariz’s group The Mercy Kiss disbanded, the musician called on his friend Leigh with hopes she would be interested in fronting a new band. After that, the duo added drummer Herrera; hence, Some Hear Explosions, or S.H.E, was born.

At first listen, “It’s Our Time Now” sounds a little like Fiona Apple on steroids. Leigh’s command of the microphone, like Apple, forces listeners to pay attention to the lyrics and the engaging playing behind her. As the album plays on, the band begins to display its identity as it shifts into many different influences such as No Doubt, David Bowie and at some parts Marilyn Manson.

However, even with their musical heroes incorporated into the music, Some Hear Explosions still maintains its individuality.

“Explode,” “Beep,” and “Shotgun Romance” are all potential hits with the rest of the album a solid go around. There seems to be something in the water when it comes to bands fronted by strong females. Some Hear Explosions joins the ranks of The DollyrotsGirl In A Coma and Halestorm as the next edition in the forever changing musical landscape.

Anyone who has ever listened to classic rock and wondered what it would sound like with a strong female lead and in your face, heart pumping melodies will find delight in Some Hear Explosions’ “It’s Our Time Now.”

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